王泉，北京航空航天大学外国语学院教授，博士生导师。北京外国语大学英美文学博士毕业，北京师范大学海外汉学博士毕业，2008年在Cornell University从事西方文学理论博士后研究，2015年被遴选为中美富布莱特学者，在Yale University英语系进行美国文学研究。2023年，University of Cambridge英语系访问学者。王泉教授担任2018-2020年中美富布赖特项目评审专家，国家社科基金评审专家，中国博士后基金评审专家，教育部博士学位论文评审专家。他的专长涵盖批判理论、美国小说及庄子思想，尤其关注埃德加·爱伦·坡和后人类主义。主要研究方向为英美文学和比较文学，迄今（截止2024年3月）先后在Textual Practice，Asian Philosophy, Journal of Literary Studies, Journal of European Studies, Women’s Studies, Explicator等国际一流期刊发表28 篇A&HCI论文。 

ORCID: http://orcid.org/0000-0001-5848-4368

E-mails: wangquanwalter@126.com

博士招生方向：英美文学和西方文论，其中英美文学没有指定书目。西方文论方向有指定博士招生考试必读书目，请联系wangquanwalter@126.com

Quan Wang is a professor of English at Beihang University, Beijing. He has published 28 articles in A&HCI journals. His recent publications include “The actor-network in Herman Melville’s ‘The Apple Tree Table” (Textual Practice), “A Posthumanist Reading of ‘The Sphinx’’” (Nordic Journal of English Studies), “Narrative Disruption” (Journal of Literary Studies), “A Posthumanist Reading of Knowledge in Zhuangzi and Lacan” (Asian Philosophy), “A Comparative Study of the Subject in Lacan and Zhuangzi” (Asian Philosophy), “A Lacanian Reading of RIP” (Explicator), “The Movement of the Letter in A Doll House” (Journal of European Studies), “The Lack of Lack” (Women’s Studies). Professor Wang specializes in critical theories, American novels, and Zhuangzi, especially Edgar Allan Poe, posthumanism, and psychoanalysis. He is also a 2015-2016 China-US Fulbright Research Scholar at Yale University.

ORCID: http://orcid.org/0000-0001-5848-4368

E-mails: wangquanheming@126.com; or wangquanwalter@126.com

PUBLISHED ARTICLES IN ENGLISH ACADEMIC JOURNALS (Update: 202403)

1. Xinshuo Zhou and Quan Wang. (2024). “The actor-network in Herman Melville’s ‘The Apple Tree Table.” Textual Practice. A&HCI.

2. Quan Wang. (2023). “A Posthumanist Reading of the “Happy” Fish in The Zhuangzi.” Asian Philosophy, 34 (1): 32-44. A&HCI.

3. Quan Wang. (2023). Translating Nonhuman Agency: A Posthumanist Reading of The Zhuang Zi and its Three English Translations. New Voices in Translation Studies, 28(1): 159-180.

4. Yanyan Zhu, Quan Wang. (2023). The Philosophy of Eating in “Bon-bon.” ANQ: A Quarterly Journal of Short Articles, Notes and Reviews, 36(2), 210-213. A&HCI.

5. Quan Wang. (2023). Reiteration and Automaton: A Posthumanist Reading of Repetition in Zhuangzi and Lacan. Asian Philosophy, 33(1), 64-74. A&HCI.

6. Quan Wang. (2023). A Posthumanist Reading of Geological Agency in “The Domain of Arnheim”. ANQ: A Quarterly Journal of Short Articles, Notes and Reviews, 3(4). 1-5. A&HCI.

7. Quan Wang. (2022). Perverse, Anthropocentrism, and Posthumanism in Two of Edgar Allan Poe’s Stories. American and British Studies Annual, 15, 19-36.

8. Quan Wang. (2022). A Posthumanist Reading of “The Sphinx” and “Mesmeric Revelation.” Nordic Journal of English Studies, 21(1).

9. Quan Wang. (2022). The Drifting Manuscript in the Jug: Things in “Mellonta Tauta”. ANQ: A Quarterly Journal of Short Articles, Notes and Reviews, 35(1), 42-45. A&HCI.

10. Quan Wang. (2022). Posthumanism and Cross-species Becoming in Zhuang Zi. Rupkatha Journal on Interdisciplinary Studies in Humanities, 14(2), 1-18.

11. Xinshuo Zhou, Quan Wang. (2022). “A New Race of Immortals”: A Posthumanist Reading of “Poe Posthumous; or, the Light-House.” Journal of Literary Studies, 38(3), 1-12. A&HCI.

12. Yanyan Zhu, Quan Wang. (2021). Voyage, Discovery and the Untold History “The Thousand-and-Second Tale of Scheherazade.” The IUP Journal of English Studies, 16(4).

13. Quan Wang. (2021). The butterfly transformation and the anamorphosis: A posthumanist reading of gaze in Zhuang Zi and Jacques Lacan. Asian Philosophy, 31(3), 305-319. A&HCI.

14. Yanyan Zhu, Quan Wang. (2021). Linguistic Ecology in Julia Cho’s The Language Archive. ANQ: A Quarterly Journal of Short Articles, Notes and Reviews. 34(1), 78-81. A&HCI.

15. Quan Wang. (2020). Time, Voyage, and the (Im)possibility of “Three Sundays in a Week”. Explicator, 78(1), 35-40. A&HCI.

16. Quan Wang. (2019). A Posthumanist Reading of Loss in Zhuangzi and Jacques Lacan. Asian Philosophy, 29(4), 363-376. A&HCI.

17. Quan Wang. (2019). A Posthumanist Reading of “The Island of the Fay”. ANQ: A Quarterly Journal of Short Articles, Notes and Reviews, 34(3), 216-219. A&HCI.

18. Yanyan Zhu, Quan Wang. (2019). The Lacanian Subject in The Language Archive. The Explicator, 77(1), 29-34. A&HCI.

19. Quan Wang. (2019). A Posthumanist Reading of Knowledge in Zhuangzi and Jacques Lacan. Asian Philosophy, 29(1), 65-78. A&HCI.

20. Yanyan Zhu, Quan Wang. (2018). The Shipwreck Discovery in “Ms. Found in a Bottle”: To Believe or Not? The Explicator, 76(3), 132-137. A&HCI.

21. Quan Wang. (2018). Pleasure principle and perfect happiness: morality in Jacques Lacan and Zhuangzi. Asian Philosophy, 28(3), 259-276. A&HCI.

22. Quan Wang. (2017). On “The Man of the Crowd.” The Explicator, 75(4), 215-219. A&HCI.

23. Quan Wang. (2017). The Smell of Food in The Language Archive. The Explicator, 75(3), 153-156. A&HCI.

24. Quan Wang. (2017). A Comparative Study of the Subject in Jacques Lacan and Zhuangzi. Asian Philosophy, 27(3), 248-262. A&HCI.

25. Quan Wang. (2017). The Image of Food in Julia Cho’s The Language Archive. The Explicator, 75(2), 129-132. A&HCI.

26. Quan Wang. (2016). Narrative Disruption as Declaration of Dependence: Nonhuman Agency and Narrative Repetition in “Rip Van Winkle.” Journal of Literary Studies, 32(4), 107-124. A&HCI.

27. Quan Wang. (2016). Before Marriage, Within Marriage, and After Marriage—Kristine Linde in A Doll House. The Explicator 74(2), 69-73. A&HCI.

28. Quan Wang. (2016). The Image of Domino in A Doll House. The Explicator, 74(1), 24-27. A&HCI.

29. Quan Wang. (2015). The Images of Clothes in Ibsen’s A Doll House. The Explicator, 73(4), 239-242. A&HCI.

30. Quan Wang. (2015). The Movement of the Letter in A Doll House. Journal of European Studies 45(3), 173-188. A&HCI.

31. Quan Wang. (2014). New Historicism in “Rip Van Winkle.” The Explicator, 72(4), 320-323. A&HCI.

32. Quan Wang. (2014). A Lacanian Reading of “Rip Van Winkle.” The Explicator, 72(3), 179-182. A&HCI.

33. Quan Wang. (2013). The Lack of Lack: The Lacanian Androgyny in Pilate. Women’s Studies, 42(1), 1-31. A&HCI.

34. Quan Wang. (2011). A Warrior or Not? A Comparative Study of The Scarlet Letter and “No Name Woman.” Rupkatha Journal on Interdisciplinary Studies in Humanities, 3(4).